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27 new or updated listings in the past month

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firstwriter.com's database of literary agents includes details of 670 English language literary agencies that don't charge reading fees, and haven't received negative assessments in any of the rating services we check. The database is continually updated: there have been 27 listings added or updated in the last month. With over a dozen different ways to narrow your search you can find the right literary agent for your book, fast.

News

thebookseller.com – September 2, 2017

DHH Literary Agency is holding its second round of pitching sessions for unrepresented writers in November.

With a view to finding new clients, and following its first successful session held in April this year, five agents will be available for a 10-minute slot for an individual writers to pitch their story and receive "honest and valuable" feedback. The pitch sessions will run from 4pm to 7pm on Monday 27th November at Browns on St. Martins Lane in central London.

deadline.com – July 28, 2017

Abrams Artists Agency is expanding its talent division, hiring Todd Eisner as Senior Agent in the firm’s Los Angeles Talent department, and Matt Gogal as a Talent Agent. Having joined Abrams in the past few weeks, both will report to SVP and Head of Theatrical in Los Angeles, Marni Rosenzweig.

In addition, Katie Gamelli has been promoted to Theatrical Literary Agent in New York, effective immediately. She is reporting to Sarah Douglas and Charles Kopelman.

thebookseller.com – June 22, 2017

Laura Macdougall is joining United Agents next month after two “wonderful” years with Tibor Jones & Associates. She will join on 31st July as a literary agent in the Book Department.

Macdougall's clients at Tibor Jones included actor Jim Broadbent, Ruth Hogan of The Keeper of Lost Things (John Murray Press imprint Two Roads), which has now sold in 19 territories, Labour MP Jess Phillips, author of Everywoman (Hutchinson), and Kaite Welsh whose historical crime trilogy is published by Tinder Press.

motto.time.com – September 19, 2017

Why is there explicit sex in my new book? Because I’m a feminist.

Under A Pole Star, my third book, is a novel about late 19th century arctic explorers that features, alongside ice, ambition and rivalry, more than one sexual relationship. And there’s a lot of detail. My central characters fall in love, and yes, they have a lot of sex. I was nervous about how the passages would be received. One Amazon reviewer has already complained about “copious quantities of copulation.” The specter of the Literary Review’s Bad Sex Award, given annually to authors of “poorly written, perfunctory or redundant passages of sexual description in modern fiction,” hovers over us all, tittering. Some judge writing explicitly about sex to be less than literary — or worse, discrediting of female characters. But why should achieving romantic and sexual satisfaction — one of the most difficult challenges we face as humans — be redacted or blurred?

Articles

By J. Paul Dyson
firstwriter.com

In last month's article, Avoiding literary agency scams (fwn 44), we identified the warning signs to watch out for in order to avoid bad agents. In this article I'll be reversing the question and providing tips on how to find good agents.

firstwriter.com

Charles Heaton Allen recently acquired a literary agent using firstwriter.com's database of literary agents. We asked him about his writing, and how he found success.

firstwriter.com

Charlie Carroll recently signed a deal with the esteemed Paterson Marsh literary agency, as a result of searching firstwriter.com's database of over 850 literary agents. We asked him about his writing, and how he found success.

firstwriter.com

Frank Hotchkiss recently acquired an agent using firstwriter.com's database of literary agencies. We asked him about his writing, and how he found success.

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