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SQ:
Michael,
thank you
very much for this opportunity to interview you. Your book Rumpelstiltskin
vs. Miller was referred by one reader as “an
imaginative and sophisticated extension of a tale we all know."
What inspired you to choose the tale of Rumpelstiltskin
to elaborate on?
MB:
One day I thought it was funny to imagine Rumpelstiltskin
filing a lawsuit in the unlikely environment
of fairy tale land. He had been promised
custody of the baby of the miller's daughter-turned-Queen
and for her own reasons, she
didn't deliver. So what was Rumpelstiltskin
to do? From
that point I reflected that the Grimm Brothers
created some interesting characters in
their fairy tale but the tale was all too brief. I wanted to flesh
out individuals such as:
1)
Rumpelstiltskin, the brilliant elf –
what was behind his
unusual request for a baby?
2)
The King – what was behind the man with the twisted attitude
whose marriage proposal
was a "make gold or death" ultimatum to the miller's
daughter?
3)
The miller's daughter / Queen (a stronger-than-usual
fairy tale female lead, one of the few of her
gender who can't wait for a Prince Charming to
solve her problems but instead must face up
to them)
So,
I wrote "Rumpelstiltskin vs.
Miller” to provide a
sequel to the story (what happened after the Queen
guessed Rumpelstiltskin's name) and
a "prequel"
(what influenced the development of the
characters we read in the classic fairy tale).
SQ:
What are
the book’s basic messages and
how did you come up with the ideas?
MB:
I thought about the King’s tyrannical attitude and
what it was like
for people to live under such rulers. That was
the most realistic part of the Grimm Brothers "Rumpelstiltskin", the
dilemma people face when they have to cope with arbitrary
rulers. That still happens today. My
message is to show that people can empower
themselves and do so in constructive ways...
SQ:
What are some of the book’s themes?
MB:
One is that I expand on the original Rumpelstiltskin's
fulfillment of the age-old
dream of alchemy. I put it in a
realistic setting – the Grimm Brothers’
Europe
of a few hundred years
ago – and answer the question,
"What would have happened if someone could
produce instant gold? How would that have changed
history?" Also what if there really
were non-human thinking species like elves and
ogres? How might they have affected a country's development?
And
I thought it was important to fully develop the character
of the miller's daughter / Queen. All too often
fairy tale women are limited characters ... The few
who aren't are usually supernatural, like
witches. I saw in
the "Rumpelstiltskin" plot the
chance to develop
an ordinary female character into someone who
was a good person and an independent individual with
her own human (not supernatural) strength.
SQ:
How long did it take you to write the book and did you hire an
editor?
MB:
It took me about five years and I did not use an editor. My
publisher did the editing.
SQ:
What credentials were
needed for Dorrance Publishing to
accept it for publication?
MB:
Dorrance did not ask for any specific
credentials, just
to see the manuscript which they liked.
SQ:
Is there a chance you would be willing to share a writing sample
from the book, one you feel best exemplifies the book’s “trial
of the millennium” theme?
MB:
Actually we already have a sample available which anyone
can get by logging onto my website www.thegoldwizard.com
and signing up for it. It
is not part of the trial chapter but I would be open to sharing a
sample that is.
SQ:
The book’s characters, particularly the miller’s daughter, are
sensitively and keenly conveyed. Nevertheless as a first-time
published novelist, you must market the book hardcore. In
what ways do you do so? Which ways have worked best?
MB:
I worked with a marketing
professional to
contact local booksellers and librarians and also have advertised
"Rumpelstitlskin vs. Miller"
on a science-fiction
and fantasy website www.sffworld.com.
But the best
results came when I worked with my former employer Nationwide
Insurance and sold several copies
of my book in a charity book-sale.
SQ:
That’s fascinating! Has your book sold well? Do you have a
literary agent?
MB:
No, sales have been slow. And I don't have a literary agent.
SQ:
How do you support yourself financially while writing?
MB:
My day job profession is actually in records management.
I've worked for such companies as Nationwide
Insurance and Huntington Banks.
SQ:
Do you have
other publications in the works? If so, I would love to hear
descriptions of each!
MB:
I've also written but not published a short child's level version
of "Rumpelstiltskin" and a
"Rumpelstiltskin vs.
Miller" play. My other unpublished works are sequels I've
written for the "Wizard of Oz" and
the "Princess Diaries" movie.
SQ:
Is there an author that influenced your writing? If so, who?
MB:
No there's no specific author who influenced me. The
influence came from my extensive
reading of history and great writers like Winston Churchill, Arthur
Schlesinger Jr. and
Bruce Catton.
SQ:
Would you
consider yourself to be a successful author or writer? Why or why
not?
MB:
I feel I am successful when it comes to producing quality
work. In fact I've received many compliments for
my writing from friends and family. However from a
monetary point of view I haven't been successful.
SQ:
What advice can you give aspiring authors regarding
publishing a first book?
MB:
If you feel you can't find the time to work on a book, you're
wrong. If you're truly interested in writing you can
find the time. You should also have absolute confidence in your work
as a prerequisite to having it published.
SQ:
Is there any information you would like to add to this interview?
MB:
I'll sum up "Rumpelstiltskin vs.
Miller" by noting it is a combination of folklore and history.
I combined a
classic fairy tale and put it in a realistic setting
somewhere in
Europe
a few hundred years
ago. There I offer
alternative history and explore what might
have happened had the dream of alchemy
been achieved.
A
minor message is that I wish to show the correct history
of politics and colours. Today the American
media is wrong when they put Democratic
states in blue and Republican red in
political maps. It should be the reverse.
So one of the key moments in my book
is where it recreates the dramatic incident that established the
political meaning of
colours.
SQ:
How intriguing, Michael.
Your novel has all the ingredients of a future bestseller. Thanks so
much for chatting with me!
MB:
You're welcome.
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